Museum Assessment
The Museum I chose to visit was the Orlando Museum of
Art on North Mills Avenue. This museum boasts permanent major collections of
Art of the Ancient Americas and African art, Contemporary American Art, Portraits
and Landscapes plus 18th and 19th Century American art all which has local,
regional, national and international significance. From my visit I recognized
a few key design elements which enhanced my experience. The use of artificial
and natural light in conjunction with open space had a variety of effects on
the way I perceived the exhibits. Furthermore, The placement of certain art
pieces had the magnetic affect of drawing you through each exhibit as if an
invisible guide was leading the way.
When you walk into the main gallery you are bombarded by a tower glass piece
entitled “Citron and Cobalt Tower”. This glass tower is comprised
of hundreds of blown glass tubes in various shades of blue and yellow all arranged
in a tower that rockets twenty feet into the air. The gallery designers do and
excellent job of utilizing the museums sky light to intensify the presence of
this multifaceted piece. Once I tore my eyes away from this sculpture I became
aware of how much open floor space there was in each gallery. As a producer
this design aspect is critical in enticing the patron to experiment with a variety
of view points in which to admire the exhibits whether it be sculpture, painting
or photograph. In some of the galleries which used artificial light entirely
I noticed that all the floors sculptures in theses galleries had at least two
sources of light directed towards them. This illuminates the sculptures to accentuate
each and every detail. Plus, this also cast shadows off the art piece which
in turn adds a new design element too the piece itself. More often than not
artists who work in three-dimensional sculpture always consider how light and
shadow add to the piece as a whole.
In the paragraph above I spoke briefly on the role of open space and its relationship in viewing individual pieces. Now I will delve into the role of open space as it pertains to moving in-between galleries. In The Orlando Museum of Art there are very few dead ends. Almost every gallery has at least two ways to enter or exit. When you are in any exhibition room the archway or hallway into the next gallery always has an interesting piece positioned in sight. This provokes the visitor to move through each individual gallery. Also, this can create an elevated level of excitement or anticipation by leaving the visitor thinking, “Well that looks intriguing, but I wonder what else over there?”
When creating a museum environment it is important to give thought to the way in which the patron views each exhibit. It is imperative that the correct mood is conveyed by means of lighting and art placement. Finally, one should not be afraid to experiment with the use of open space and its relationship to how a patron moves through the museum.